Deep, slow and gravelly, with a pause before every turn. Hear the trailer voice read narration, dialogue and an ad.
Listen plays a prerecorded sample. Generate reads your own text in this voice: sign in required, priced by length, and failed generations are refunded automatically.
Open with a hook. Three to five lines are plenty.
Compare narration, dialogue and advertising.
Keep your draft and come back while you edit the cut.
An AI voice styled after the classic blockbuster trailer: very low, gravelly and slow, leaving a beat of silence around each line. A style, not an actor.
Compare narration, dialogue and advertising in English. Each transcript matches its recording.
On the third morning the fog had still not lifted. She walked back along the embankment with dew on her shoes, and when a horn sounded from the distant ferry she remembered the letter, still in the desk drawer, unsent.
Movie Trailer Voice · English
Follow Lin Xia into a quiet lane and a late-night noodle shop. Expand the transcript and listen along.
Chapter Four. For the first week after she moved into the lane, Lin Xia hardly slept a full night. Not because of the noise — quite the opposite. It was too quiet. She had grown up beside a railway station, used to a horn and an announcement every twenty minutes, used to falling asleep inside a wall of sound. Now, at two in the morning, she could hear a cat crossing the tiles downstairs and the door of the distant convenience store opening and closing. On the eighth night she gave up, pulled on a coat and went down. The noodle shop at the mouth of the lane still had its light on; the owner was wiping down the last table. "You are open this late?" Lin Xia asked. The woman looked up as if she had known her for years. "Waiting for you. Everyone who moves into this lane comes down at this hour in their first week." She slid a bowl of hot soup noodles across the counter. "Eat, and you will sleep. Trust me." Only later did Lin Xia learn that the bowl had never been charged for, and that every word the woman said had been true.
Low, slow and full of space: that is the whole trick. Learn how it builds tension before you place it in your cut.
When the trailer voice speaks, even an ordinary shot feels important. Here is where it works best.
Cut teasers for indie films, student projects and web series. A deep narrator over drums and black frames sells the hook in under a minute.
Open a launch trailer, a new season or an expansion with trailer narration, and the world and the stakes arrive together.
The first ten seconds of a recap decide everything. One suspense line in a movie preview voice gives viewers a reason to stay.
Product launches, company parties and award nights open better with a narrated countdown that pulls every eye to the stage.
Narrate a grocery run, a Monday morning or a cat knocking over a cup as if it were an epic. The more serious the voice, the bigger the laugh.
Give mystery audio dramas, podcasts and story shows a cold open. One low, slow line and listeners settle in for the episode.
Before you roll the cut, read these.
All trailer samples on this page are free to play, and writing and saving scripts is free too. This is a flagship voice: generating your own trailer needs sign-in and credits, 1 credit per 15 characters, spaces free.
No. It is an AI voice generated in a classic epic trailer style, not cloned from or modeled on any real narrator. Please do not present it as a famous voice actor, or as an official trailer for a real film.
Samples here are for listening and comparison, and downloading one does not grant commercial rights. Commercial use of trailer voiceovers you generate, in promos and ads, follows the terms of your plan.
Not on this page: every recording here is in English, from the preview to the long-form story. Switching the site language does not change the audio, and this page's generator is set up for English.
Give each sentence one image. Open with a setting line such as “In a world where...”, then a turn like “Until one night”. Put key lines on their own, end with a date or tagline, and use periods often: they become pauses.
Adam is deep and steady, built for long narration and audiobooks. The trailer voice goes lower and slower, with more drama, to land a hook in thirty seconds. Use Adam for a full explainer and the trailer voice for the opener.
Yes, but save it for the opening and the big turns. A whole recap in trailer voice gets slow and heavy. Hook viewers in the first ten seconds with it, then switch to a normal-paced narrator for the body.
Pick an opening line and make it your story.