Type or paste your text, pick a language, a voice and a speed, and hear each voice's preview sample in the studio.
A single line, a script or a few short paragraphs.
Filter by language, play the samples, then set the pace.
Generate, then play the audio back or download it.
Text to speech follows your punctuation. A comma is a short breath, a period ends the thought, and a new paragraph gives a longer pause. Short, plain sentences read best.
Browse narrators, bright young voices, older storytellers and playful characters. Filter by language, play each fixed sample and pick the voice that suits your listeners.
Pick the output language, then a voice that speaks it. Text to speech reads what you wrote and does not translate, so paste the script in the language you want heard.
Text to speech helps whenever words need a voice but recording is slow. Here are six common cases.
Narrate explainers, product walkthroughs and faceless channel videos. When the script changes, edit the line and generate it again.
Turn lesson notes and onboarding material into narration, and slow the speed down for learners working in a second language.
Hear articles, notes and long emails read aloud, which helps people with low vision or dyslexia and anyone who would rather listen.
Add a clear voice to short vertical videos, and try two or three voices on the same hook to hear which one fits the tone.
Voice store announcements, on-hold messages and phone menu prompts, then update the text when opening hours or options change.
Give draft dialogue a temporary voice while you test pacing in a game, comic dub or interactive story, before final casting.
Each route suits a different job. Text to speech wins on edits and volume; people win on acting and personal connection.
| Compare | AI text to speech | Recording yourself | Hiring a voice actor |
|---|---|---|---|
| What you need | Your text and a chosen voice | A mic, a quiet room and time | Casting, a brief and a budget |
| Changing a line | Edit the text and generate again | Set up and record the line again | Often a booked pickup session |
| Consistency | The same voice on every take | Shifts with mood, mic and room | Steady within one session |
| Other languages | Pick a voice for each language | Only languages you speak well | A new actor for each language |
| Acting range | Clear, steady reads | As good as your own delivery | Full emotional performance |
| Best for | Explainers, updates and drafts | Channels built on your own voice | Ads, drama and character work |
Most odd-sounding text to speech comes from the script, not the voice. Fix these six things before you generate.
Use a comma for a short breath and a period for a full stop. Break up long paragraphs so the voice has room to pause.
Dates, prices, phone numbers and units can be read several ways. Write them the way they should sound, such as twenty twenty-six.
Long sentences with several clauses flatten the rhythm. Split them, and the voice places the stress more naturally.
Some acronyms are said as a word and others letter by letter. If a voice reads one wrong, add spaces or periods between the letters.
Generate a short passage, adjust the voice and speed, then do the rest. It is quicker than redoing a whole script.
Slow down a little for lessons and instructions, and stay near normal for stories. Fast reads tire listeners on long audio.
Answers to common questions about AI text to speech.
Text to speech, or TTS, is technology that turns written text into spoken audio. Modern AI text to speech is a voice synthesizer built on neural models trained on human speech, so it places pauses and stress far more naturally than the robotic voices of older software.
Paste your text into the studio, pick a language and a voice, and set the speed and emotion. Sign in and generate; when it finishes you can play the audio back, download it and find it again in your history.
Playing voice samples and drafting text are free. Generating audio needs an account and uses credits: 1 per 35 characters for standard voices and 1 per 15 for flagship voices, with spaces free. Credits come from the plans and packs on the pricing page; failed runs are refunded.
Yes. Text to speech is a voice synthesizer for spoken words: it builds new speech from your text rather than altering a recording the way a voice changer does. Pick a voice, paste your script and generate the audio in the studio.
Write the way people talk: short sentences, everyday words and clear punctuation. Spell out numbers and acronyms the way they should be said, choose a voice that suits the content, and test one paragraph before you generate the whole script.
Pick a language in the studio and the voice list filters to voices that speak it. Text to speech reads the text you give it and does not translate, so write or paste your script in the language you want listeners to hear.
Commercial use follows the terms of the plan you choose, so read them before you publish. Whatever the plan, never use a voice to impersonate a real person or mislead listeners.
Yes, in two ways, and both generate audio once you sign in. Voice design lets you describe a new voice in words, such as a warm, slow storyteller, or start from an example style. Voice cloning copies your own voice, or one you have written permission to use, from a short clip.
Draft your text, pick a voice and sign in to generate and download the audio.
